Presentations and Publications

Peter Breithaupt

“‘In the town of love, music, and history’: Maintaining a Place-Space Dialectic in Msafiri Zawose’s ‘Karibu Bagamoyo’”
Society for Ethnomusicology Southern Plains Chapter
University of Texas Rio Grande Valley, Edinburg, TX (March 2017)

Rose Bridges

33 /1/3 Japan: Yoko Kanno’s Cowboy Bebop Soundtrack. New York: Bloomsbury Academic, 2017.
This is my upcoming book on the soundtrack to the anime TV series Cowboy Bebop, to be released by Bloomsbury Academic Press in fall 2017. It is a volume in the acclaimed 33 1/3 series, one of the first in the sub-series 33 1/3 Japan, focusing on notable works of Japanese popular music.

“What is the ‘Hoenn Sound’?: Rearranging Music as World-Building in the Pokemon Game Remakes”
North American Conference on Video Game Music, The University of Texas at Austin, Austin, TX (January 2017)

“Jupiter Jazz and Hip-Hop Samurai: Musical Anachronism as World-Building in Cowboy Bebop and Samurai Champloo
Mechademia Conference on Asian Popular Cultures, Minneapolis College of Art and Design, Minneapolis, MN (September 2016)

“‘Everything You Dreamed of on the Edge?’: 1980s Generational Anxieties in the Music of The Brave Little Toaster
Society for American Music, 41st Annual Conference, Boston, MA (March 2016)

“The Great Gate of Truth: 19th-Century Nationalisms in Michiru Oshima’s Score for Fullmetal Alchemist (2003)”
Music and the Moving Image X, New York University Steinhardt School of Culture, Education and Human Development, New York, NY (May 2015)

Julianne Graper

“Pussy Riot: Performing ‘Punkness’; or, Taking the ‘Riot’ out of Riot Grrrl” in Dillane, A., Power, M., Devereux, E. and Haynes, A. (eds.) Songs of Social Protest, London: Rowman and Littlefield International, 2017 Forthcoming.

Translation of Noise, sonic experimentation and interior coloniality in Costa Rica by Susan Campos Fonseca. Oxford University Press. 2017 Forthcoming.

“Pussy Riot: Performing ‘Punkness’ or Taking the ‘Riot’ Out of Riot Grrrl.” 2015. Presented at the Songs of Social Protest conference, University of Limerick.

“’Yo Soy un Hombre Sincero’: Sara González and the Performance of Masculinity after the Cuban Revolution”. 2015. Presented at the ILASSA conference, University of Texas at Austin.

Laura Jorgensen

“Intersectional Musical Activism in the Former Yugoslavia”
Graduate Organization for the Study of Europe and Central Asia Conference University of Pittsburgh, PA (March 2017)

“Voices from the Shadows: Narratives of Homosexuality in Yugoslav Popular Music”
UT Austin Gender Symposium (February 2017)

“Queer Voices in Song: Musical Narratives of Homosexuality in the Former
“Inside/Outside: Queer Networks in Transnational Perspective” Summer School
Hannover, Germany (September 2016)

“Intersectional Feminism in Music of 1980’s Yugoslavia & Contemporary Croatia” Central European University Gender Studies Department Conference on
“21st Century Feminist Praxes, Ontologies and Materialities”
Budapest, Hungary (May 2016)

“‘I want to be normal’: Representations of Gender and Sexuality in Music of the
Former Yugoslavia”
Summer School for Sexualities, Cultures & Politics at the
Singidunum University Faculty for Media & Communications Studies
Belgrade, Serbia (August 2014)

“‘I want to be normal’: Representations of Gender and Sexuality in Music of the
Former Yugoslavia”
University of Illinois Urbana-Champaign ISAMS Interdisciplinary Conference on “Transforming Activism/ Activist Transformations”
Urbana, IL (April 2014)

Peng Liu

“An Ironic Comedy: Constructing a Music Narrative for the Finale of Beethoven’s
String Quartet, Op. 135.”
The Second Biennial Brandeis University Graduate Student Musicology
Brandeis University, Waltham, MA (May 2017)

“Exploring the Singing Style in Five First Movements from Beethoven’s Piano
The American Musicological Society Southwest Chapter Conference
Abilene Christian University, Dallas, TX (October 2016)

“Rethinking Sonata Form in Beethoven’s Lyricism.”
The American Musicological Society Southwest Chapter Conference
Texas State University, San Marcos, Texas (October 2015)

Joanna Zattiero

“”One Small Girl A Whole Quartet”: Technology, Gender, and Popular Music in the Early Sound Films of Lee Morse”
Society for American Music Annual Conference
Montreal, Quebec (March 2017)

“Gaining Perspective on Public Musicology Today: What Does it Look Like, Who is Practicing It, and How is it Valuable to Different Demographics?”
American Musicological Society – Southwest Chapter Conference
Texas State University, San Marcos, Texas (October 2015)

Yu Ye

“One-shot Film and Its Audio-Visual Design: Two Case Studies”
Music and the Moving Image Conference
New York University
New York, NY (May 2017)

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