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Current and recent Ph.D. students in Musicology
(Current students are listed after being admitted to candidacy)
Graduates of our doctoral program in historical musicology hold positions at A-R Editions (Madison, WI), Baylor University, Birmingham-Southern, Brigham Young University, Central Missouri State University, Chapman University (Orange, CA), Indiana University, Korea Institute of Advanced Science and Technology, Louisiana State University at Shreveport, Mary Washington College, Oklahoma City University, Penn State University, Southwest Texas State University, Texas A & M University, Tulane University, Tulsa Community College, the Catholic University of America, the Greater Denton (TX) Arts Council, the Houston Chronicle, the Houston Grand Opera (Education and Outreach), the Texas Higher Education Coordinating Board, the University of Louisiana at Lafayette, the University of Louisville, the University of Southern California, and the University of Texas at Austin.
| Name | Title | Date |
|---|---|---|
| Anbari, Alan | "Wagner's Historicism, 'Polyphonic Symphony' and 'Web of Principal Themes' " | * |
| Babcock, Renee | "The Operas of Hindemith, Krenek, and Weill: Cultural Trends in the Weimar Republic, 1918-1933" | 1996 |
| Beckman, Gary | "The Sacred Lute: Intabulated Chorales for Lute from Luther's Age to the beginnings of Pietism" | * |
| Camann, Mark | "David Guion's Vision for a Musical Americana" | * |
| Edmonds, Amy | "The Organa in the Las Huelgas Manuscript" | * |
| Garcia-Landois, Oscar | "A Collection of 18th-Century Christmas Villancicos from Mexico and Guatemala" (including a critical edition) | 2003 |
| Gavito, Cory | The Alfabeto Song in Print, 1610 - ca. 1665: Neapolitan roots, Roman codification, and "il gusto popolare" | 2006 |
| Graziano, Amy | "A Musical Revolution: Parallels in Musical and Scientific Thinking, ca. 1550-1650" | 1996 |
| Hallis, Robert | "Reevaluating the Compositional Process of Anton Webern: 1910-1927" | * |
| Haner, Ates | "The Cantor in Mid- to Late-Medieval Britain" | * |
| Katz, Robert | "Persephone and Mythic Elements in Stravinsky's Theater Works" | 1998 |
| Klefstad, Terry | "The Reception of the Music of Dmitri Shostakovich in America in the 1930s and 1940s" | 2003 |
| Kulp, Jonathan | "Carlos Guastavino: A Study of His Songs and Musical Aesthetics" | 2001 |
| Mooney, Kevin | "Texas Centennial 1936: Music and Identity" | 1998 |
| Murphy, Sheryl | "The Sacred Music of Gian Francesco de Majo (1732-1770)" | 1997 |
| Parsoneault, Catherine | "The Montpellier Codex: Royal Influence and Musical Taste in Late Thirteenth-Century Paris" | 2001 |
| Requejo, Alberto | "A Study of J. Guridi and J. L. Arroita-Jauregui’s Opera Amaya
(1910-1920)" |
2003 |
| Schwartz-Kates, Deborah | "The Gauchesco Tradition as a Source of National Identity in Argentine Art Music (ca. 1890-1955)" | 1997 |
| Smull, Jennifer | "Mid-West Modernism: New Music in Chicago, 1910-1940" | * |
| Shinnick, Julia | "The Manuscript Assisi, Biblioteca del Sacro Convento, MS 695: A Codicological and Repertorial Study" | 1997 |
| Turner, Katherine L. | "The Musical Culture of La Concezione: Devotion, Politics and Nobility in Post-Tridentine Florence" | * |
| Volpe, Maria Alice | "Symbols of Nationality in Brazilian Music, 1890s-1920s" | 2001 |
| Wagstaff, G. Grayson | "Music for the Dead: Polyphonic Settings of the 'Officium' and 'Missa pro defunctis' by Spanish and Latin American Composers before 1630" | 1995 |
| Welch, Allison C. | "The Influence of Hindustani Music on Selected Works of Philip Glass, Terry Riley and La Monte Young" | 1997 |
| Whitcomb, Pamela K. | "The Manuscript London, British Library, Egerton 274: A Study of Its Origin, Purpose, and Musical Repertory in Thirteenth-Century France" | 2000 |
| Yu, Pok-Hon (Wally) | "Schoenberg's Transition to Atonality (1904-1908): The Use of Intervallic Symmetry and the Tonal-Atonal Relationship in Schoenberg's Pre-Atonal Compositions" | 2004 |
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